Electronic dance music in Atlanta, Georgia has seen a dramatic shift of interest in the past decade like a thermometer being pulled from the freezer and sat at the footsteps of the Coca Cola headquarters on a scorching summer day. As the birthplace of trap music and hometown to several headlining artists such as Le Castle Vania, Heroes X Villains, and MUST DIE!, the city has had it’s fair impact on the global culture, although not until recently has an EDM spotlight been placed on the empire state of the South by major promoters. Due to hosting the most trafficked international airport in the world and it’s mild spring and fall climate, Atlanta has become one of the most sought after cities by promoters to accommodate the massive crowds flocking to EDM festivals. Most notably is SFX‘s gargantuan state-side import, Tomorrow World, which is arguably the biggest festival in the country. As more and more money is thrown at the city by conglomerate promoters and corporate sponsors, some are arguing that the EDM industry is getting caught up in self interest and losing touch with the essence of the community. Despite the growing competitive nature of our music scene, three men have stood up in Atlanta to independently preserve and strengthen the beating pulse of dance music so that all can experience it’s intoxicating sincerity and vitality for decades to come.
Meet Phil Ferguson, Frankie Sinn and MJ, the three partners behind Atlanta’s bi-monthly spectacle known as Kingdom Rave. Each partner comes from a different corner of the EDM arena and collectively have well over a half century of experience in promoting the scene from local club nights to large scale events that attract dancers from numerous neighboring states. MJ personally had his hand in the birth of trap music by throwing a weekly event called “Hustler” that catered to hip-hop producers and DJ’s who were exploring the new genre that fused hip-hop and dance music. Phil, who is a transplant from Seattle, has been making waves in the trance and house scene as a promoter across three decades and conceived the concept of Kingdom Rave. Frankie Sin, the youngest of the group, comes from a background in producing and rapping, although was recruited for his vociferous marketing ability. Together the men have built a name for throwing rowdy independent parties that attract crowds in the thousands to see such headliners as Darude, Seven Lions, Zed’s Dead, and Bro Safari.
The ability to dream big has become more difficult as big pockets have attempted to soley hold the reigns of dance music, although for Kingdom Rave, remaining independent has been an encouraging motivator to uphold the common standards of the EDM community. “Our battle cry right now is the independent vs. the corporate thing. We’re in a very peculiar position in the market place,” states MJ. “We don’t have to answer to advertisers or corporate sponsors, I mean these guys are doing deals with the Budweisers and MTVs and that’s great, they are getting a lot of money for it but [the sponsors] are also going to tell them what they want the show to be and we have complete creative control. We can book the people we want to book. We can put them on when we want to put them on. Our whole thing is the flow of the event, the vibe ya know? We’re not going to throw a bunch of names on a flyer to get people out. It’s like a work of art to me. Nailing a good line up is something that is very, very under appreciated and under valued in the bubble. Its gotta make sense. It’s gotta be the most amazing thing that it can be and the only way to do that outside of decor is to have the artists make sense and flow through the night in a way that it takes you on a journey from the start to the finish.”
Their creativity has been met with great admiration from the local community, who have donated their efforts to ensure Kingdom Rave’s growth. “On the same token as being purists it’s like we can do exactly what we set to do because Kingdom Rave itself comes from a core of real deep, really strong rave kids,” states Frankie. “We have volunteer bases where people can come and earn a free ticket if they work as hard as they possibly can and some of them get hired and that is how we build our team. We build it off of people that are really enthusiastic about being a part of the process, we’re not just outsourcing a bunch of people that come, make their money and leave. No matter where we go they seem to follow and they want to be apart of it because it is an experience that, in some cases, people have said has changed their life, and we don’t want to take away from that just become a bigger entity.”
Kingdom Rave 14: Port Royal | Official After Movie from D.V. Photography on Vimeo.
The demand for their bi-monthly events has grown to exceed the supply, so the guys have evolved to expand their out-reach. “We were originally going to do a festival at Cherokee Farms but because of Tomorrow World and everyone coming to Atlanta to throw their festivals now” states MJ, “we were getting radius claused out of everyone we wanted to bring. I can’t compete with a $20M budget. Now we’re doing a two day block party/street fair where we’re closing down three of the streets in the middle of downtown Atlanta with a stage in the middle of the street and having ferris wheels and bumper cars and gravitrons and all kinds of crazy amusement rides, inflatables it’s going to be a big freaky carnival rave in the streets for two days.”
As the guys look at expanding the rave to not just large scale facilities, but outdoor events and festivals, they have made a concerned effort to restore the true meaning of the word rave, while remaining inclusive to dancers of all generations. “The word rave,” explains MJ “means “to talk about’ and that’s where raves come from. They were parties that people talked about. At the end of the day, if you’re doing an event of any kind that has dance people at it and people are talking about it, then that’s a rave.” Phil went on to divulge that “kids own the scene as much today as we did back [in the 90’s]. I remember when I got started in the rave culture back in Seattle and being taught peace, love, unity, and respect, but I can tell you one thing, we didn’t have a handshake that went with it. We just gave each other kandi and that right there shows you that the new generation of ravers is owning their scene just as much as we did back then.”
The guys made it very clear that they are in no way discouraging people from attending large scale EDM festivals. Alternatively, the service they provide as independent promoters allows people to live the intensity of such festivals the other 51 weeks of the year by attending their events. This will no longer be an offering to only residents of the South East because starting in 2015, Kingdom Rave will become an international traveling show. MJ explains that they, “are going do another concept which is a touring concept called Kingdom Come…where we basically just take the show on the road and it travels all over North America, Canada, Mexico so if you can’t get to Atlanta for a Kingdom Rave, we can bring it to you.”
While you will still have to wait a few more months before Kingdom Rave comes to a town near you, EDM fans in the South East are invited to the previously mentioned block party in downtown Atlanta called Kingdom Rave Bashment: Block Party Edition on July 18 & 19th. Your EDM has been given two general admission tickets and two VIP passes to the event and we are passing them along to you! You can enter the giveaways below, which will run for two weeks, and we hope to see you dancing in the streets to this amazing headliner lineup.
FIGURE ✫ DOWNLINK ✫ LOUDPVCK ✫ TORRO TORRO ✫ TECHNOBOY ✫ AHLAN WRIGHT ✫ APASHE ✫ BABY ANNE ✫ BACHELORS OF SCIENCE ✫ BUTCH CLANCY ✫ DACK JANIELS ✫ DARKSIDERZ ✫ DAVID HEARTBREAK ✫ DENNIS SHEPERD ✫ EVOL INTENT ✫ KAYU & ALBERT ✫ KRISTINA SKY ✫ KRYTERIA ✫ MAZTEK ✫ MIDNIGHT TYRANNOSAURUS ✫ NC-17 ✫ Q-BIK ✫ RENE LAVICE ✫ RISE AT NIGHT ✫ RONSKI SPEED ✫ ZARDONIC
Don’t want to wait on the giveaway? Purchase tickets to Kingdom Rave Bashment: Block Party Edition here!
Lol I’m from Atlanta. KR is the most disorganized, unsafe, drug filled event I’ve ever been too. It’s sad you’re promoting it
Wow, I’ve only been to 1 or 2 of their shows. Mostly underaged kids getting drunk or messed up on drugs. only 1 room filled with people, the other rooms are usually dead. Very little variation of music, all the same genre. And like Lindy said, how can someone that JUST turned 35 be a promoter for 3 decades? The first time I saw him was 5 years ago and he was just getting into promoting. I’m disappointed in this poorly written article that was published with apparently zero fact checking done. And nice big “Non-Corporate” advertising.
Yeah funny thing about this article is only 25% of it is true. :/ a little research goes a long way. This entire article is just a promotion, so yeah working that non-corporate angle just like the big festivals do. P.S. You can’t be a promoter for 3 decades when you were born in 1979.
This article is a 100% joke and a shame to the rave scene.
A shame to the realm of electronic music (EDM).
Much embarrassment to other electronic-music lovers in Atlanta.
This event caters to underage kids who can OD at the drug haven (under 18).
90’s, 00’s, 10’s. Three decades. Underage kids running around getting fucked up is the status quo for the EDM scene in every city. Don’t be mad at KR, be mad that you can’t convince your of age friends to come out to these events that people work really hard to put on. They don’t have to do it. They do it so you have the opportunity to see the most talented electronic musicians out there. If you’re not into what they do than don’t buy a ticket, but you don’t have to be a dick about it.
This article has to be a joke, it’s got me laughing my ass off. 3 decades really Phil?? I remember house parties not even 10 years ago and you were just cutting your teeth on edm.
The egos behind KR have worked hard to restore meaning to the word rave so they can bleed it dry and run it into the ground one more time. Encore!
I have been throwing parties in Atlanta since 1993 nonstop and I am the MJ in this article. I was involved in SKYLAB in 1995. I helped run The Ruins in 1996-97. Brought The Chemical Brothers to Masquerade for their first and only time to Atlanta. Dee-Lite, The Orb, Orbital, Future Sound Of London, the list goes on. I was one of the many managers of The Globe Theater in 1999 before Chad form Vinyl Boy took it over. I was the first person to throw an event at Phenomenon. Tons of events at The Strand in Marietta. I helped run Studio Central later that year and brought Konkrete Jungle to Atlanta for the first time. Held the first national headlined weekly events in Atlanta at The Vault and Fusion. Owned a warehouse behind Masquerade that people raved at for years. Have thrown over 200 shows at Masquerade itself including Deadmau5, Skrillex, Excision, Datsik, Nero, Zeds Dead, etc… most of which we’re their first ever shows in Atlanta, and that’s just the very tippy tip tip of the iceberg. So the uneducated can say what they want, and hate all they like. But love me or hate me, for whatever reason, what they cant say I haven’t been here, and doing this before any of these cats were. I’m pretty sure Patrick Shannon was saying BETWEEN THE THREE OF US there is 30 years of experience, which is true. But haters have to hate after all, and what a shock that most of the people hating here are the same ones who do nothing but troll our event pages nonstop trying to bash us. Yet here we still are! Thanks again for the write up Patrick. I’ll be sure to have that Ferrari I promised you for writing this delivered to you next week! To all our supportive fans, thank you all for your overwhelming love and support! If I have said it once, I have said it a thousand times! Without you we don’t exist. Thank you all!
very classy i must say, this block party sounds insane!
“to independently preserve and strengthen the beating pulse of dance music so that all can experience it’s intoxicating sincerity and vitality for decades to come.”
ha. i cant say much about Frankie because i’ve never had interactions with him, but Phil and MJ are two of the biggest tools in the ATL scene. if you think they care about anything but the money and adoration from the kids, you are sorely mistaken.
Pat, I think you mixed up some information and were misinformed. Calling a 15 year time span “three decades” is a slight of hand. As far as my recollection of events, Phil still didn’t care about edm in the 90s. He was just begining to flyer buckhead in 2003. Those “three decades” are more like 12 years with gaps.
This article is poorly researched and it mixes up information. Clearly this wasn’t an attempt at legitimate journalism and is really just a shameless plug.
I’m clearly not going to convince you guys of supporting Kingdom Rave and that is fine. Some of you are convinced that this was a marketing ploy by Kingdom Rave or I personally have a stake with them that encouraged me to write this piece, and that is fine. I am not going to convince you.
To those that want to be constructive about the industry: a story like this is not for promo, even though I do hope KR can grow to accomplish all of their goals just as I would support anyone in conquering their goals, but it is really about encouraging some kid in some far away city that wants to support his EDM scene but can’t DJ or can’t produce and doesn’t know where to start. He/She might even live in a place where massive EDM festivals already take place and they feel daunted by their presence. This article is to show them that you can still contribute and grow your local scene without being an artist and you can still do it in the face of major promoters.
I can already hear your criticism of this response, that KR is not a good example of what an up and coming promoter should aspire to be, so I would like to know: for you folks that don’t care for Kingdom Rave but do enjoy electronic dance music, at what Atlanta venues do you like to dance? Help me understand the Atlanta EDM scene better than I do now.
Great article !! Enjoyed the Read Pat
Kingdom rave and everyone who’s involved in the making of these events work very very hard to show not only Atlanta but it’s surrounding states and the world how to come together and have a good time. Truly dedicated people come together to make this happen so people can have a good time. Yes drugs are a problem in the EDM scene its not just kingdom. Kingdom does what they need to do in order to keep the people safe, but with that said they can only do so much. I believe these events are a blessing and should always be apart of the scene. With this being said you can’t make everyone happy always but kingdoms management sure the hell tries really really hard to and with that I and many others thank you. Keep up the good work guys in order for everyone to have a good time!
Kingdom Rave is one of the largest and one of the most recognized local raves here in the South. Everyone that plays a part in promoting and organizing this event works very hard to make sure it’s the best and most entertaining experience for all of the ravers that attend it. We all work as a family to provide Atlanta with a rave experience you won’t forget. To us, it’s not just about the headliners but about the experience you walk away with from one of our events. I love this article and all that it represents in the fact it promotes positive vibes and support that independent producers and event creators lack receiving these days.
How many Kingdom Rave “promoters” are gonna post here :3 I don’t hate Kingdom Rave. I just don’t give a fuck about it. Apathy is best 🙂 Easy as breathing.
so much awesomeness
explains MJ “… “At the end of the day, if you’re doing an event of any kind that has dance people at it and people are talking about it, then that’s a rave.”
NO, THE FUCK IT ISNT.
Guess Opera and all mainstream clubs are also raves then lol
I didn’t know anything about a scene in ATL GA but when I saw how peeps were dancing in the POPPING OFF video it caught my interest & I thought…Hey it really looks like they’ve got it popping off down in HOTLANTA! Dur,Lol.
So anyway,I have just recently fully given into all forms of social media (fell off since Myspace days) & can now brush up & do my “research” via internet O=;)~ Before I linked up tho, I did see an advertisement/promotion for TOMMOROWWORLD on CLUBLAND MTV & immediately knew that I was going to go this year. Then I will be able to give u a first hand critique & FINALLY go on vacation!!! =) Georgia Aquarium here I come! Oh Yeah…One last shout out…Hey Ma, get ready to pack a bag in September because u r vacation due too!
Pat this is a great Article ! Kingdom Rave does a great job and improves every event. Even in New Orleans Phil was a great guy to meet and KR is an inspiration.
I love kingdom rave and i hope it never gets bought out by big wig corporations
Haters gonna hate.